Review – Guerlain – Iris Torréfié – Old World Glamour In A Modern Guerlain

danielwp

5 months ago

Review – Guerlain – Iris Torréfié – My favourite from the L’Art et la Matière – 8.5/10.

This week, I’m in the mood for irises. It’s walking iris season in my garden, and to celebrate, I’ve been discussing a couple of new iris fragrances that have recently been released. If you’d like to revisit those discussions, here are the links: Essential Parfums – Velvet Iris – Not An Essential Iris & Frassaï – Ajedrez – Atmospheric Chess Game – A New Favourite.

I wanted to round out the week by reviewing a fragrance I bought a few years ago. It’s from Guerlain’s much-loved L’Art et la Matière range. Delphine Jelk’s Iris Torréfié happens to be my favourite from the line. The range was launched in 2005, as Guerlain needed a premium product to compete with the upstart new niche brands that were taking a bite out of its market share. There are other reasons, too, of course. I’ve never connected with this collection, and have always preferred Guerlain’s mainstream scents over this more expensive offshoot. Cult favourites like Spiritueuse Double Vanille and Tonka Imperiale often turn too sweet for my taste. Indeed, most of them end up in the too-sweet category. Like everything else, the price of a bottle of their premium perfume has skyrocketed, making them even less desirable.

I first sampled Iris Torréfié in 2020, just a few months after its launch. Fortunately, I was able to purchase a bottle at the end of that year—a Christmas gift to myself—using some gift cards and store discounts. I think I still ended up paying well over $200 for it, though. I recall there was quite a bit of anticipation surrounding the release at the time. Guerlain enthusiasts, like kids in a candy store, were eagerly wondering if this new iris would serve as a replacement for the discontinued Iris Ganache. However, much to their disappointment, and my delight, Iris Torréfié turned out to be nothing like Iris Ganache. Instead, it drew comparisons to another famous scent.

It’s odd, though, Iris Torréfié contains quite a few elements that seemingly should push it into gourmand territory like its iris predecessor. There are notes of coffee, tea, vanilla, cardamom, and probably some tonka, but it never elicits a mouthwatering reaction. The presence of iris and, perhaps just as importantly, leather, seems to temper the gourmand aspects. Guerlain, in their marketing blurb, describes Iris Torréfié as “the olfactory equivalent of a Guerlain lipstick stain left on the rim of a coffee cup” and “If it were a place, a literary café on the Parisian Left Bank.” I’ll pay both of those, but I think it’s grander than those portrayals. Indeed, I do get the coffee, but I find it comes in about fourth in prominence among the notes. Nevertheless, it plays a crucial role in setting the overall tone.

Above all, Iris Torréfié is an iris scent. It’s a beautifully rendered iris scent, showcasing Delphine Jelk and Guerlain’s commitment to using high-quality iris pallida materials. The iris smells multi-faceted, and it’s right there from the get-go. It’s powdery with lipstick nuances, earthy and rooty, with a hint of woodiness, and has a texturally buttery feel with a polished finish. It’s this creamy, buttery facet that wins me over. But it’s not syrupy sweet or sugary. Instead, it’s smooth and velvety. It’s almost as if Jelk is paying homage to Dior Homme in the opening stages of the fragrance. There’s more than a passing resemblance to that classic, especially in its cosmetic aspects, velvety feel, and elegant trail.

The suede-like leather accord reinforces such comparisons. Even the spiciness of cardamom aligns it with the Dior staple. However, there’s enough here to distinguish the scent. For one, the iris smells more faceted. Secondly, the roasted coffee of the opening provides a distinct difference. After a couple of hours, Iris Torréfié starts to behave more like a typical Guerlain. The tonka and vanilla/amber notes mingle with the iris and leather, evoking the classic Guerlainaide base of Shalimar.

Another interesting facet I observe in this Guerlain comes in the form of a green, herbal tea note. Around the 2-3 hour mark, it kicks in, and it’s almost as if the fragrance completes a transition from the morning coffee rush to the afternoon calm of a cup of tea. It’s not as pronounced as the coffee facet, though. Ambrette ties everything together, ensuring Iris Torréfié remains sophisticated and refined through to its conclusion. Sandalwood and opopanine accentuate and extend the buttery, balsamic nuances in the base.

I’m going to double back and discuss the coffee note, or the “torréfié” part of Iris Torréfié. It serves as an essential counterpoint to the iris and leather accords. As we know, iris scents can come across as austere, detached, and stony. Iris Silver Mist from Serge Lutens is a good example. However, the coffee note in Iris Torréfié brings an upbeat, even jaunty and playful quality to proceedings. Unlike some of its counterparts in L’Art et la Matière, the bitter, perhaps harsher aspects of the coffee, juxtaposed against the opulent iris/dry leather, prevent Iris Torréfié from falling into the trap of becoming a mere confection. Instead of cookies, pastries, and cake, I picture grand ballrooms exuding old-world glamour, with guests in their finery, reveling in light-hearted conversation. It’s one of the best releases from Guerlain in the past decade.

Thoughts on Iris Torréfié? Do you have a favourite L’Art et la Matière?